Shakuhachi Book Cover Image

    Shakuhachi

The glint that flashed through the badly scratched glass countertop was crystalline and cold, with the lilac of amethyst — her birthstone.

Eager to chase the glint to its source, she tossed the armful of painstakingly selected “gently worn” clothes onto the counter, and with a groan, lowered her arthritic frame into a squat to scan the clutter on the shelf beneath the glass.

A tray of jewelry first caught her eye but proved to be mere costume junk. Huffing with irritation, she looked past the novelty pins to visually sift through pocket knives, gaudy belt buckles, lighters, and commemorative coins.

Losing hope of finding her prize, she let apathy unfocus her eyes, which widened their field of view just enough to register a particular object lying behind all the flotsam. It had been there all along — amidst the shipwreck of thrift store crap, drifting together on the same glass shelf. Something she never expected to find in a thrift store — which was likely why her mental filter had dismissed it. Also, it was dark — carved from fire‑treated bamboo — appearing more shadow than substance. Her sudden excitement upset her balance and sent her ass‑first onto the scuffed, checkered floor.

After getting assurance from her that she was fine, the clerk chuckled. “You get a three for execution and a nine for comedic value.”

She flashed her tongue at him, scrambled up, brushed herself off, and returned to the case. After pushing the clothes aside to let more light in, she saw it — plain as porridge, yet not plain at all. Exotic, ornately carved, with what appeared to be two little bare feet peeking out from under the hem of a flowered kimono. She searched the perimeter for a price tag — it seemed to be the only item in the case without one.

It looked expensive, but she had prepared for that. Disposable income was scarce in her household, so it had taken nearly two decades to build a secret nest egg worthy of a special sixtieth‑birthday gift. With that day right around the corner, she finally knew what to get Masao, her husband of thirty‑nine years.

More than a hint of pain flickered across the cashier’s face when she asked to “see it in better light.”

“You’ll be sorry,” he muttered, fishing out his key and opening the case.

Over the years she had patronized this run‑of‑the‑mill thrift store, Jimmy the cashier had shown her many of his faces — and, in casual conversation, revealed darker ones. She knew prison walls had shut him away from society more than once, and that alcohol was involved. The clue was the tattoo on the inside of his right wrist — the AA emblem, an equilateral triangle inscribed within a circle. A brother of hers had struggled with sobriety, so she recognized the symbolism and the lingo — icebreakers that unlocked his confidences.

But the nettled expression that crossed his face when she asked to see the flute was something new — something deeper, more disturbing than anything she had seen there before. Jimmy, with a hint of what seemed like reverence, set the flute before Mrs. Sara Segawa.

A loose logic formed in her mind: Masao is a musician, and though he doesn’t play the flute, he collects instruments, and I don’t think he has one of these; therefore — perfect gift.

When she reached out to touch it, her fingers tingled even before they met the aged bamboo. At the moment of contact — when she felt the smooth, hardened surface — the tingle gathered low in her belly and rose in a rush of euphoria that brought heat to her cheeks.

Her reasoning metastasized: I love it, so of course Masao will love it. Musicians just automatically love this shit, right?!

“How much?” The words escaped her mouth, preempting any conscious impulse to form them. Her arms, too, acted on some foreign impulse, provoking a sharp pang of alarm in her chest. Mental commands for her hands to retreat were ignored; they remained fast on the flute, absorbed in exploring its ridges and finger holes as if her fingers had gained sentience. While she approved of what her fingers were doing, the fact that it wasn’t on her own terms disturbed her deeply.

“Nothing.” This time it was Jimmy’s anatomy misbehaving. The word seemed to choke in his throat as it rammed its way out. He fiddled nervously with the badly worn silver‑plated bracelet on his right wrist — the same wrist marked by the tattoo. She knew he did that when he wanted a drink. What she didn’t know was why that observation filled her with glee — and the urge to pounce. In a deep recess of her mind, guilt welled up: her usual self would never be so ruthless.

“It’s not for sale, then,” she said — more a statement than a question — a moment of resigned pragmatism. Her mental logic calcified: Whether or not Masao will like this, I must have it — therefore my husband’s proclivities are moot!

“No...” Jimmy coughed. “I mean, it's yours.”

Sara looked up — peered directly into his eyes. She wasn't accustomed to doing this — looking people straight in the eye — but she needed to know what was going on behind the facade — to understand why the sudden, weird altruism. When she saw tears gathering there, her curiosity sharpened. It wasn’t sympathy driving her. She was desperate to find something there that would explain her own perplexing dissonance.

For a moment, she regained a semblance of her generally decent self and forced out, “Are you sure I can’t give you something for it? I was prepared to pay at least three hundred dollars.” An urge to grab the flute and run simmered beneath her renewed amity.

“Well,” Jimmy said, rubbing the back of his neck, “come to think of it, I guess I should charge something — or else it’ll come out of my paycheck.” His chuckle failed to ease the tension.

“So, how much is it? I didn't see a price tag,” she asked, her voice edged with impatience — a trait of hers Jimmy was more accustomed to. Over time he had grown immune to her bluster. When later asked, his description of her was: unconvincingly irascible — with further elaboration that her bluster was merely a rampart around a compassionate heart.

However, this felt different. There was an undercurrent of malevolent annoyance in her demeanor. But Jimmy had long ago resigned himself to the enigmatic behavior that surrounded this flute, and he was not surprised by any of her emotional gyrations.

“Um, I don’t know — let me look.” Jimmy crouched down and searched for a detached price tag among the items that had surrounded the flute. Then he remembered the Post‑it note taped — because the sticky strip had long since collected dust and hair — to the back of the cabinet door. Bamboo Flute was scrawled across the top, followed by a series of crossed‑out prices. He peeled it off and handed it to her, letting the note speak for itself.

“Only one hundred and twenty? I think I can handle that,” she said with a strained lilt.

She gently lowered the flute onto the battered glass countertop as if it were a beloved pet, then — seized by the irrational fear that her "pet" might languish and die without constant attention — grabbed her purse and fished for the wad of cash among the jumble. She grimaced at the tedium of unwinding the rubber band that held the bills, the interminable task of feathering through the notes to find the right denominations, the monotonous counting, and the irksome battle with the curled cash that sprang away the moment she set it down on the glass, all accompanied by a swath of profanity hissed under her breath.

Jimmy had since stepped back and was watching with vicarious distress. “What about the other stuff?” he asked cautiously.

She huffed, slammed another fifty on the countertop, and groaned as she attempted to gather the clothes into her arms while still holding the flute. Then, in a flurry of frustration, she clicked her tongue, tossed the clothes aside, and with the flute still in her left hand, pivoted on her right foot, and bolted for the exit.

“Your fifty!” Jimmy shouted.

“Keep it!” she called back, halfway to the door.

When she reached it, she paused and turned to look at him. “I... I’m sorry...” she stuttered.

Before she could say more, something twisted her forward, made her shove the door open — straining its hinges — and then marched her to her car.

At home, the flute was gently laid by her in a felt‑lined cherrywood box. It was attentively wrapped by her in exquisite handmade rice paper and silk ribbon. On Mr. Segawa’s sixtieth birthday the cherished offering was presented by her.

He loved it — and loved her no more.

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